Okay, so these are not predictions, not me trying to be clever…just merely an attempt to throw a huge “what if” out there regarding how many of the 14 Oscar nominations La La Land is going to come away with in two weeks. With the voting now live, and the question of “how many” seemingly everywhere, I thought I would get thoughts spinning, and tongues wagging, by attempting to put forward some basic arguments as to how La La Land could lose each category (not necessarily in the same reality) come Oscar night.
“Always tell the truth. Always take the high road. Live each day like it could be your last. Drink it in. Be adventurous, be bold, but savor it. It goes fast.”
If you had the opportunity to be fully present for your children, could you do it?
In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
Writer/director Matt Ross was fully focused on parenthood while penning this script. He took questions that he asks himself as a father and translated them into the character of Ben (played by Viggo Mortensen). “My goal was to create a movie that was intellectually stimulating and emotionally moving.”via First Showing.
I’m about seven months late to catching one of the most outstanding and underreported indies of last summer, so pardon the delay. Each year brings constant booms in technology and increased distractions for us millennials and non-millennials. Captain Fantastic delves into a territory I’d be most uncomfortable with – an existence void of the toxic influences of society. The horror! Right?
Here’s what I learned from Captain Fantastic…
The 80’s had some spectacular movies. As I sit here writing this post, I look back on my life with a love for cinema, but now my news feed is our current political climate. I think what happened to the love of our neighbors. We live in a constant state of apology and open bigotry. We march, we complain, we are given participation awards and have never been more divided.
Don’t worry…this is not a political rant or a cry for us to unite. As a matter of fact, this is a distraction from these very issues. Having now been around for nearly 4 decades, I’ve built quite the love for the cinema. I studied cinematography in college, I’ve produced shorts, I’ve worked on 200 million dollar mega budget films and I’ve even tried my hand in documentary production. During all of this time, I’ve found that the film arts are my salvation. With that being said I figured I would give a subjective look at my 10 favorite films of each decade: The 80’s, 90’s and 00’s.
These lists are meant to be my personal favorites that I watch often, or they’re movies that changed the landscape of the industry through storytelling, production, acting, etc. I hope you enjoy!
The 80’s…As Tim Dirks of FilmSite.org eloquently says, “The decade of the 1980s tended to consolidate the gains made in the seventies rather than to initiate any new trends equal to the large number of disaster movies, buddy movies, or ‘rogue cop’ movies that characterized the previous decade. Designed and packaged for mass audience appeal, few 80’s films became what could be called ‘classics’. The era was characterized by the introduction of ‘high-concept’ films – with cinematic plots that could be easily characterized by one or two sentences (25 words or less) – and therefore easily marketable and understandable.”
With this mentality we were introduced to a slew of teen angst films, sequels galore and the birth of the modern day “Hollywood Blockbuster.” Here are my personal favorites.
Natalie Portman is Jackie Kennedy.
Dramatizing an event for film or television already heavily ingrained in history and culture presents challenges: actors may look different than their real-life counterparts, events could be changed or forgotten, the overall “feel” of the event (due to music, costumes or other production quirks) can be lost. Historical pieces are tricky, but when handled with ingenuity, these films stand as a crowning achievement in the world of cinema.
Typically portrayed for her style and elegance, Jackie gives us a rare glimpse of the First Lady as she gives a revealing look at her tenure at the White House and introduces the idea of Camelot following the JFK assassination for an article in Life magazine. The film gives us an opportunity to experience a side of Jackie seldom explored and how she cemented her husband’s legacy. Said Jackie in the interview: “There will be great presidents again, but there will never be another Camelot.”
“It’s funny. You were so scary at night.”
There are some movies that make you question where you stand on Darwin’s survival of the fittest theory – Green Room is one of them, and I don’t think I’d survive.
With white power slogans subtly displayed throughout the film’s central location, a neo-Nazi skinhead bar in the desolate Oregon backwoods (led by Sir Patrick Stewart!?), the timing of the film’s release is a eerily relevant in the era of a Trump America. Green Room creates a raw, gut-wrenching survival experience that had me white-knuckled throughout the entire movie.
Even Sir Patrick Stewart (Darcy) 30 pages deep into reading the script, stopped reading to immediately set his home security alarms and open a bottle of scotch before finishing the script.
“Remember, it’s not a party,” Darcy tells his followers on stage in the microphone. “It’s a movement.” You’re damn right.
The 74th annual Golden Globes were last night, and they were hosted by a surprisingly nervous Jimmy Fallon.
The last twelve months have been tremendous accomplishment for independent films, and they dominated the Globes. Sadly, some of my favorites got snubbed, and La La Land swept through the awards winning all seven it was nominated for (the most wins for one film in Globes history).
Outside of the glaring losses, there were also a handful of hilarious flubs, awkward cuts and tremendous speeches.
Check out my favorite moments of the 2017 Golden Globes.
“This is the dream! It’s conflict and it’s compromise, and it’s very, very exciting!”
La La Land’s ode to old Hollywood has re-ignited our love affair with musicals and the magic seldom seen on screen, but while this movie reminds me why I love classics of yesteryear, it’s respectful homage is also a reminder that it will never match those classics it honors.
Bogart and Bacall. Tracy and Hepburn. Stone and Gosling? I can’t quite stomach the idea of the latter couple on the same pedestal as the power couples of the Golden Age of Hollywood cinema, but La La Land desperately wants you to believe that Stone and Gosling are the 21st century golden couple.
With a massive 12 nominations from the Critics Choice Awards, La La Land is proving to be the movie to beat this year as critics hail it “the years best” and “an instant classic,” but Ryan Gosling tap dancing around a light pole at dusk doesn’t make him Gene Kelly.
Robin over at Write Out of LA is hosting a Christmas Movie Advent Calendar series throughout December highlighting one holiday film per day. My contribution to the series is the 80s-inspired modern retelling of A Christmas Carol, Scrooged.
Scrooged is undoubtedly my favorite Christmas movie of all time – it’s a tale as old as time without the gimmicks or seriousness. It’s got one hell of a cast with the most memorable Scrooge himself, Frank Cross, played by the legendary Bill Murray. The film was actually a resurgence for Murray who had taken an imposed four-year exile from Hollywood and what a joyous return!
Murray was an A-list movie star by the time Scrooged hit theaters, but up until that point he had always been part of an ensemble cast (Caddyshack, Stripes, Ghostbusters). This was his first opportunity to shine solo on screen. Director Richard Donner admit this little gem about shooting the final scene of the movie: “On the last take I saw something happen to Billy. I saw Billy Murray become an actor.”
Here are my five favorite things about the movie.
“If you could see your whole life laid out in front of you, would you change things?”
If E.T.’s landed on Earth tomorrow, what would you do? If you had the option to change the course of your life, would you do it?
Arrival is the most cerebral experience of 2016, and the intimate nature of the film has everything to do with that.
The film is not entirely original; it takes the age-old science fiction premise of aliens landing on Earth with the panicked world asking: “Why are they here?” But this sci-fi addition has all the right ingredients from it’s cast to director to score to script that produces some serious thought-provoking material. The exploration of this archaic, hypothetical reality leaves me wondering when this inevitable future will occur off-screen. I’m. Not. Ready.