Okay, so these are not predictions, not me trying to be clever…just merely an attempt to throw a huge “what if” out there regarding how many of the 14 Oscar nominations La La Land is going to come away with in two weeks. With the voting now live, and the question of “how many” seemingly everywhere, I thought I would get thoughts spinning, and tongues wagging, by attempting to put forward some basic arguments as to how La La Land could lose each category (not necessarily in the same reality) come Oscar night.
Welcome to 7 more gloriously under-looked excuses to have a good old moan. This time the ladies. The years and years of the Academy’s illustrious history in rewarding great work in cinema has generally been very kind. But boy do they forget about a lot of terrific performances. And I am talking every single year. Below are 7 performances I am particularly fond of, and I know I am not alone here. These are not necessarily my all-time favorites, but they are certainly plucked from the very best that missed out on Oscar nominations. I know, three of the actresses derive from France – what can I say, I am something of a French cinema fanboy. It could easily have been all 7. Hell, 100. For now, get acquainted with these Oscars-neglected, but extremely talented women. Enchanté.
As we hurtle towards the film industry’s awards season beyond the festival circuit, I tend to fall deep into the heartbreak of those that don’t make it to the Oscar nominations. I know, the Academy Awards are miles away, but those in the field of reporting and predicting the Oscars are already talking about it. Not all can make the final cut of course amidst the politics of preferences, and I am never short of choices that didn’t receive AMPAS recognition. It’s impossible to choose set favorites, but I picked 7 actresses and 7 actors from the array of many that the Oscars seem to have forgot. Let’s save the dominant of the species til last and start with the men.
The 2015 Academy Awards have nominated some of the weakest films in recent history. Composing a top 10 of my personal favorite films of the year was partially a struggle with the lack of exceptional movies coupled with a vast majority of mediocre films. One of the most widely positively and negatively talked about films of the year, and the potential Oscar favorite to win, is Boyhood. While I reviewed the film as the most overrated movie of the year, it represents the year as a whole…good, but not great. The Academy appears to be resting on some of the safest films that can be considered important and groundbreaking cinema, but fall on the cusp of mediocrity. There were a lot of great films that got ignored this year that may or may not have made my list like Inherent Vice or Guardians of the Galaxy, but are some great movies that shouldn’t be overlooked by viewers.
This is my third year composing a top ten list, and while I’m satisfied with these 10 films, I’m disappointed in the year as a whole. These are what I consider my personal favorites (not a top 10 of what I consider to be the best in well-rounded cinema). Here’s hoping 2015 has more to offer with greater competition and greater risks in the filmmaking industry.
The 2014 Oscars and I had a lot to agree on, but also a few minor disagreements. The winners were all unquestionably worthy of their awards, and the acceptance speeches were some of the best I’ve seen in recent history (motivational speeches over name-blasting goes far y’all!). My only qualms with this year were a few omissions in directing, acting and best picture, but I’ll hold my tongue on movie politics.
While this was not my favorite year for movies, 2013 relied heavily on exposing the culture we live in, a culture we could potentially live in and a look at one of our country’s darkest cultures in history. Movies like The Bling Ring and Spring Breakers offer an unflinching, realistic look at the corruption and superficiality of 21st century youth, while the movie Her takes us to a not-so-distant future where relationships of any kind have the power to produce as much joy as they do sorrow.
2014 also pushed an emphasis on relationships; how we treat people and how others treat us. Nebraska gave us a look at the humorous lengths we take for our family, while magnifying the destruction of aging. Movies like Fruitvale Station offer a story of hope, reinvention and the importance to empathize with people who we may not know. Whatever the relationship may be, compassion for the human spirit is a necessity for survival.
Here’s my list of my top 10 favorites of 2013–some are obvious choices, while some are obvious curve balls.