After nearly three hours of Dennis Villenueve's version of a dystopian Los Angeles, the replicant-hunting flick felt flat and more like a sequel to Her than a continuation of Blade Runner.
I gained more insight of the possibilities of life after death from a ghost in a sheet than I have in thirty-one years from any textbook. The complexities of the afterlife may be more simple than we've imagined and may not be what we expect.
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